Pierre-Auguste Renoir
French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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Pierre-Auguste Renoir Conversation with the Gardener oil painting


Conversation with the Gardener
mk235 c.1875 Oil on canvas 51x65cm
Painting ID::  53977
Pierre-Auguste Renoir
Conversation with the Gardener
mk235 c.1875 Oil on canvas 51x65cm
   
   
     

Pierre-Auguste Renoir Country Foopath in the  Summer oil painting


Country Foopath in the Summer
mk235 c.1875 Oil on canvas 60x74cm
Painting ID::  53978
Pierre-Auguste Renoir
Country Foopath in the Summer
mk235 c.1875 Oil on canvas 60x74cm
   
   
     

Pierre-Auguste Renoir Le Moulin de la Galette oil painting


Le Moulin de la Galette
mk235 1876 Oil on canvas 78.7x113cm
Painting ID::  53981
Pierre-Auguste Renoir
Le Moulin de la Galette
mk235 1876 Oil on canvas 78.7x113cm
   
   
     

Pierre-Auguste Renoir Le Moulin de la Galette oil painting


Le Moulin de la Galette
mk235 1876 Oil on canvas 131x175cm
Painting ID::  53982
Pierre-Auguste Renoir
Le Moulin de la Galette
mk235 1876 Oil on canvas 131x175cm
   
   
     

Pierre-Auguste Renoir Nude in the Sunlight oil painting


Nude in the Sunlight
mk235 c.1875/76 Oil on canvas 81x64.5cm
Painting ID::  53995
Pierre-Auguste Renoir
Nude in the Sunlight
mk235 c.1875/76 Oil on canvas 81x64.5cm
   
   
     

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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